It might have just six or so of these Idolaspheres, once for each chapter, but they’re large and full of surprises, especially when you return to them later and access different areas. I don’t recall playing a game where as well as levelling up your characters, you can also level up your powers and your weapons, and even your capabilities as a performer allowing even more skills and abilities.ĭungeons don’t feel like dungeons, even though they plainly are, and each isn’t just differently themed, they have their own puzzle mechanic – from finding the correct order of buttons to press, to running errands, to essentially a variant on a slide puzzle. I became obsessed with the Carnage weapons and their upgrade system, unlocking skills and powers as you go. The acting and singing as a form of “training” for battle and unlocking abilities is crazy but works, with performances of some great JPop tracks. I loved the setting, the quirky Japaneseness, the characters and the real world (almost) locations. It’s My First Persona, and that is absolutely in no way putting it down – it’s a way into the world of Persona and is more than awesome enough in its own right too. Why would Tokyo Mirage make me want to get back to Persona? Because Tokyo Mirage is Persona, only with a light Fire Emblem theme and a more streamlined, easier to understand, weapon and skill system. Having completed Tokyo Mirage Sessions #FE, I’m dying to get it back in.
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I thoroughly enjoyed Persona 4 Golden for the 10 or 15 hours I put into it, but something about the complicated Persona system confused me enough to cause me to back away. I’ve always liked JRPGs although it’s few that I finish mainly due to their overwhelming length, or in some cases, complexity or difficulty.